mardi 4 février 2014

The first film projections 1895

The first film made by Louis Lumière factory is output , known today under the name of The Mills Light Output . It was shot on March 19th 1895 , Lyon Saint- Victor . This street has been renamed and is now called rue du Premier- Film, it would be good to respect the historical truth , renamed " rue du Premier -Film Light" or "First - Cinematograph Film " . It is in this street stands the Institut Lumière . The first private performance of Lumière Cinematograph held in Paris March 22, 1895 in the premises of the Society for the encouragement nationale industry. In the aftermath, Louis Lumière runs during the summer of 1895 the famous gardener who later became the sprinkler watered. This is the most famous film of the Lumière brothers and the first animated photographic fictions (the first fiction film is non- Émile Reynaud photographic light Pantomimes ) .
The Lumière Brothers


Mechanism Light: eccentric cam and claws, film round holes ( square holes Edison films being patented ) .
Meanwhile the first public meeting, the Cinematograph is shown to many scientists. Success is always considerable. On June 11 the Congress of Photographers in Lyon, July 11 in Paris at the General Science Journal , November 10 before the Belgian Association of Photographers , November 16 in the amphitheater of the Sorbonne , etc. .
The first public screening of Light takes place December 28, 1895 at the Salon Indien du Grand Café Hotel Scribe, 14 boulevard des Capucines in Paris , presented by Antoine Lumière before thirty-three spectators. Charles Moisson , the manufacturer of the device, is the chief engineer , he oversees the projection. The price of the session is set to 1 franc.


Program of public screenings at the Salon Indien du Grand Café in Paris in 1895
The full program of the first paid public meeting in Paris , with 10 films, all produced in 1895 :
Exit the Light Factory in Lyon ( "view" documentary )
The Vaulting ( " Comic View" trooper )
Fishing the goldfish ( "view" family : the son of Auguste Lumière , then baby, fishing in an aquarium )
The Landing of Congress photography Lyon ( "view" documentary )
The Smiths ( "view" documentary )
The Gardener ( " Comic View" )
Feeding baby ( "view" family : the son of Auguste Lumière )
Jumping coverage ( " comic view " trooper )
Place des Cordeliers in Lyon ( "view" documentary )
The Sea ( "view" documentary bathing young Ciotadens )
The film The Arrival of a Train at La Ciotat is not intended that day , but will eventually winning a huge succès .
Six months after submission of December 1895 , the first exhibition of films in America with the Lumière Cinematograph is organized by Louis Minier and Louis Pupier in Montreal (see Quebec cinema ) .
The contribution of Louis Lumière that the literary critic Ricciotto Canudo called in 1920 "7th art"  , is paramount. Her experience allows her photographer in the aesthetics of his films go further than the team Edison - Dickson. In his " photographic views lively " (as he calls his reels ) , which are the same as the first American primitivism "Movies" , however he showed a mastery of framing and light which largely explains the successful achievements. The choice of natural scenery and a beautiful exhibition are the press exclaims: " This is the life , the movement caught live " . Louis is very natural position of shooting diagonal field relative to the movement of the characters (at that time , movies Edison - Dickson know only the front layout) . But it is true that U.S. competitors and predecessors also spontaneously discover the attractiveness of frames together ( what we call the Close and - quite rightly - American Plan) , Louis Lumière failing to get closer to his subjects, retained by a characteristic modesty of the time, a modesty that does not feel Laurie Dickson , he raunchiest in their choices and framing, do not hesitate to put his camera directly under the nose of his personnages . I must say that the tandem Edison - Dickson is not the same audience as the two brothers Lyon . The first class clientele seeking New York and Brooklyn, and the cities of the American heartland , while the Lumière brothers seek to seduce the posh and affluent clientele , one that is able to acquire a copy for his pleasure the Lumière Cinematograph film for the family, and already impressed Light reels to complete the education of children .


Auguste and Louis Lumière , one of the few French honored at Hollywood Walk of Fame
Quickly, the Lumière brothers are aware of the interest of their Cinematograph film with picturesque images of the world and show projection , or sell them with the camera. Commercial purposes , they refuse to give their invention patents Georges Méliès them yet offers a small fortune. They even try to discourage future and talented competitor in predicting his ruin if it launches in the production of films ( Méliès closes his Star Film Company in 1923, after winning a lot of money through his films, and ruin is mainly due to his misunderstanding of the future of cinema, and his determination to consider the films as byproducts of music-hall ) . The Lumière brothers , they have the wisdom to stop producing films in 1902, when they understand that cinema is a new language which they have knowledge or rules to come or the importance of going take over the world . That does not ignore the inventor of filmmaking , Thomas Edison, who predicted that "the cinema was later one of the pillars of human culture "

jeudi 30 janvier 2014

Video Resolution

Video Resolution

Resolution means the number of pixels displayed on screen. Technically speaking there are two types of resolution:
  1. Spatial resolution means the width and height of the displayed image, measured in pixels. In other words, the total number of pixels contained in each individual frame.
  2. Temporal resolution means the frame rate (number of frames shown per second), i.e. "resolution over time".
Common resolutions
Overview by vertical resolution and aspect ratio


Lines5:4 = 1.254:3 = 1.33:2 = 1.516:10 = 1.65:3 = 1.616:9 = 1.7
120160 QQVGA
160240 HQVGA
240320 QVGA360 WQVGA384 WQVGA400 WQVGA432 FWQVGA (18:10)
320480 HVGA
360480640 nHD
480640 VGA720 WVGA800 WVGA854 FWVGA
540960 qHD
5761024 WSVGA
600800 SVGA1024 WSVGA (128:75)
640960 DVGA10241136
72011521280 HD/WXGA
7681024 XGA1152 WXGA1280 WXGA1366 WXGA
8001280 WXGA
8641152 XGA+1280
9001440 WXGA+1600 HD+
9601280 SXGA−1440 WSXGA
10241280 SXGA
10501400 SXGA+1680 WSXGA+
10801920 FHD
11522048 QWXGA
12001600 UXGA1920 WUXGA
14402560 (W)QHD
15362048 QXGA
16002560 WQXGA
16202880
180028803200 WQXGA+
20482560 QSXGA3200 WQSXGA (25:16=1.5625)
21603840 UHD (4K)
24003200 QUXGA3840 WQUXGA
25604096 4K
28805120 UHD+
30724096 HXGA
32005120 WHXGA
32405760
40965120 HSXGA6400 WHSXGA (25:16=1.5625)
43207680 FUHD (8K)
48006400 HUXGA7680 WHUXGA
864015360 QUHD (16K)
The image below shows some of these resolutions in relation to each other
Video Resolution
!!! Higher resolution doesn't necessarily mean a "bigger picture"

Tutorial Basic Studio Lighting


In the studio you have basic lights, which you may use to create a professional portrait.

Basic studio setup
As you see, here are five light sources. Each of them has its own purpose:
Basic studio setup
  • (M) Main - This type is your main source of light, it is most powerful light in the whole set. It is used to light the person and create mood of the portrait.
  • (F) Fill-in - This light is less powerful and is used to soften the shadows, which are created by the main source of light. Usually the ratio of main light to the fill-in is about from 1:2 to 1:9. The weaker the fill-in the more prominent the shadows. Use the light to create three dimensional feeling (the ratio is about 1:3).
  • (B1) Background (Optional- You will use this light to remove shadows on the background and create a bright spot on the background, which will help you to separate the head of the person from the background.
  • (B2) Background II (Optional) - This light usually used to create a nice hallo around the person's head and is another way to separate the head from the background. The light is usually good for women because they have fabulous haircuts and the light will add "air" to it.
  • (H) Hair Light (Optional) - Actually there are two types of this light. One of them ( Hair Light ) is to enlighten the hair generally and usually placed above the head. Another one is to create a small beam of light placed upon a shoulder or side of the head and is called Accent Light , this light source will create a small highlight on the hair or shoulder to give some accent to it.

Using an Umbrella

A photographic umbrella is very useful tool for creation a soft, broad and pleasing light. Sometimes you may use only one light with the umbrella to create a good portrait. Usually the umbrella is used for photographing kids, they could move easily without restrictions and you don't have to adjust the lights every minute.

main light

Umbrella as main light
Here the umbrella is used as the only front light source, you may even remove the rest of lights. It will be the simplest setup, but you will still produce good portraits.

Umbrella and Reflector Board

You may upgrade the previous setup with a reflector board to soften the shadows as shown below:

reflector to fill-in

Umbrella as main and reflector to fill-in
Moving the reflector board to and from the subject will change the power of the reflected fill-in light falling on the subject. You even use a black reflector to remove some light from the subject and create more depth. A black reflector is a good tool for location session in a cloudy day, when the light just envelopes the subject, by using the reflector use remove some light and give it some direction.

Umbrella as Fill-in Light

You may prefer to broaden the fill-in light and use the umbrella for it. The following diagram shows the setup:

Umbrella as fill-in

Umbrella as fill-in

Common Lighting Terms & Definitions

AMP - Watts Divided by Volts.

ANSI - American National Standards Institute. The organization that develops voluntary guidelines and produces performance standards for the electrical and other industries.

AVERAGE RATED LIFE - An average rating, in hours, indicating when 50% of a large group of lamps have failed, when operated at nominal lamp voltage and current.

BALLAST — A device which provides the necessary starting voltage and appropriate current to a fluorescent or high intensity discharge (HID) luminaire.
BCT — Ballast Case Temperature. The measured operating temperature of a fixture’s ballast. Operating outside of a ballast’s specified operating temperature will shorten its functional lifespan.

BALLAST FACTOR — A ratio used to calculate the expected real-world performance of a lamp. Calculated as the difference between the expected performance of a lamp with a commercial ballast versus the measured performance of that lamp with a reference ballast. Rated Lamp Lumens x Ballast Factor = Net Lumens.

CRI — Color Rendering Index, sometimes CIE. The ability of a light source to accurately render an object’s color in comparison with a natural light source. Measured on a scale of 1 -100 with 100 being the ideal.

COLOR TEMPERATURE - See Kelvin Temperature.

DAYLIGHT SENSOR — A device which senses the amount of daylight in a room and controls the luminaire accordingly.

DIRECT – A direct source of light which is cast downwards from a fixture to provide lighting with uniform levels of illumination. Open, louvered, and lensed fixtures can all be “direct”. Also see Indirect and Direct/Indirect.

DID (Direct/Indirect) - A source of light in which light is cast both upwards and downwards from a fixture to provide a combination of direct and indirect illumination.

DOWNLIGHTING — Light which is cast downward from a fixture. The most common and direct form of lighting.

EFFICACY - A measure expressed in lumens per watt representing the efficiency of a lamp/ballast system or luminaire.

ECM - Energy Conservation Measures. A term commonly used by ESCOs in lighting audits/designs.

ESCO — Energy Service Company. A company dedicated to helping commercial and industrial clients reduce their energy consumption.

FC - Foot-Candle. A unit of measure for the density of light as it reaches a surface. One foot-candle is equal to 1 lumen per square foot.

HEAT SINK 
- A component or integral part of luminaire that conduct or convects heat away from LED components.


HI-BAY — Lighting used in industrial applications where the ceiling height is greater than 20 feet. Common in big box retail, industrial, warehouse and manufacturing spaces.

HID — High Intensity Discharge lamps. Includes HPS, PSMH and MH lamps.

HPS — High Pressure Sodium HID Lighting.

ILLUMINANCE - Light arriving at a surface, expressed in lumens per unit area; 1 lumen per square foot equals 1 footcandle, while 1 lumen per square meter equals 1lux.

INDIRECT - An indirect source of light which is cast upwards from a fixture and bounced down to provide lighting with minimal glare and more uniform levels of illumination.

INITIAL LUMENS - The lumens produced by a lamp after an initial burn in period (usually 100 hours).

INPUT WATTS — The total wattage required by both the ballast and the lamp in a luminaire.

INSTANT START– Ballast starting type. Applies high voltage across the lamp with no preheating of the cathode.

IT DEPENDS 
— The answer to most lighting questions.


JUNCTION - The p-n junction in a diode, for instance LED, where positively charged and negatively charged materials exchange electrons, emiting photons and generating heat.

JUNCTION TEMPERATURE - The temperature in the vicinity of an LED’s p-n junction. Controlling junction temperature is critical for achieving the optimal balance between lumen output and lumen maintenance.

KELVIN TEMPERATURE— A numerical scale used to describe the color of light. Light with a lower Kelvin rating will have a more yellow tint, while light with a higher kelvin rating will have a more blue tint.

KILOWATT - 1000 Watts.

KILOWATT HOUR - 1000 Watts used continuously for one hour.

LAMP — The source of light in a fixture, colloquially called a "light bulb."

LAMP DISPOSAL - Refers to the proper recycling of lamps containing mercury or other hazardous materials.

LED - Light Emitting Diode –commonly known as LED is a semiconductor devise that emits visible light of a certain color.

LED DRIVER - An electronic devise which converts input power into a constant current source despite fluctuation in voltage. It protects LED from voltage fluctuations. In simple terms an electronic devise which feed input power to LED to produce light.

LLD 
- Lamp Lumen Depreciation Factor. The multiplier to be used in illumination calculations to relate the initial rated output of light sources to the anticipated minimum rated output based on the relamping program to be used. (See also Lumen Depreciation and Mean Lumens).


LENS – A glass or plastic element used in luminaries to seal a fixture or control the exiting light.

LLF - Light Loss Factor. A factor used in calculating illuminance after a given period of time and under given conditions. It takes into account temperature and voltage variations, dirt accumulation

LO-BAY — Lighting used in industrial applications where the ceiling height is 20 feet or less. Common in big box retail and industrial settings.

LM-79 - The approved method by IES for making photometric measurement of LED light products. LM-79 measures total luminous flux, luminous intensity distribution, electrical power, efficacy and color characteristics (chromaticity, CCT, and CRI).

LM-80 
- A measurement standard developed by IES which allows user to evaluate and compare the lumen maintenance of LED components from different manufacturer at standard operating condition. LED packages, arrays or LED modules can be tested at three junction temperatures typically at 55°C, 85°C & manufacturer specified temperature for 6000 hours. The approved method of measuring lumen maintenance is only for LED light source not complete luminaire.


LPW 
- Lumens Per Watt. The number of lumens produced by a light source for each watt of electrical power supplied to the light source. See Efficacy.


LUMEN DEPRECIATION - The decrease in lumen output of a light source over time; every lamp type has a unique lumen depreciation curve (sometimes called a lumen maintenance curve) depicting the pattern of decreasing light output.

LUMEN MAINTENANCE — Lumen maintenance is the standard lighting term for the percentage of initial lumens that a light source maintains over time. For instance, P-2’s QHC maintains 70% of initial lumens over 60,000 hours and specified as L70 over 60,000 hours (or 30% of deterioration in the amount of light produce by QHC over a period of 60,000 hours). Lumen maintenance is often specified as L50, L70, L80, or L90. In each case, L stands for lumen maintenance and the number is the percentage of light output remaining.

LUMENS - A unit of luminous flux; overall light output; quantity of light, expressed in lumens.

LUMINAIRE — A complete lighting unit which contains a lamp, housing, ballast, sockets and any other necessary components.

LUMINAIRE EFFICIENCY - The ratio of lumens emitted by a luminaire to the total lumens emitted from the light source within the luminaire.

LUX - A unit of illuminance equal to 1 lumen per square meter.

MEAN LUMENS - The average lumen output of a lamp over its rated life. Mean lumen values for fluorescent and HID lamps are typically measured at 40% of their rated lives.

MH — Metal Halide HID lighting.

MICRO MATTE — A highly effective reflecting material manufactured by Alanod which appears white but reflects nearly as much light at traditional specular surfaces.

OCCUPANCY SENSOR — A device which activates a fixture upon sensing the presence of a person.

PHOSPHORS — Substances which emit light after being bombarded by electrons. Phosphors are used to coat the inside of fluorescent lamps.

PHOTOPIC LUMENS — A type of light measured in lumens that is generally detected by common light meters and accounts for part of the human eye’s perception of brightness.

POWER FACTOR - A measure of the effectiveness with which an electrical device converts volt-amperes to watts;devices with power factors (< 0.90) are “high power factor” devices.

PS (Programmed Rapid Start) - A method of starting fluorescent lamps, associated with electronic ballasts, where low voltage is applied to the cathode prior to lamp ignition. Recommended for use with occupancy sensors.

PSMH — Pulse Start Metal Halide HID Lighting.

RAPID START - A method of starting typically associated with magnetic ballasts; where a low filament voltage is applied to preheat the cathodes.

RE-STRIKE - Refers to the restarting of a previously operating lamp shortly after turnoff. Metal halide lamps typically require a minimum of 4-15 minutes to restart after turn-off.

RLO — Relative Light Output. The ratio of light output between a fixture's potential light output at optimum ambient temperatures and actual light output at actual ambient temperatures. For example, if a fixture at its optimal temperature of 75°F produces 10,000 Lumens and 8,000 Lumens 50°F, that fixture's RLO at 50°F is 8,000 Lumens ÷ 10,000 Lumens, or 80%.

SCOTOPIC LUMENS — A type of light that is not generally detected by common light meters but which accounts for part of the human eye’s perception of brightness.
Lumen
SEMI-SPECULAR — A reflective but somewhat diffuse surface.
SOLID-STATE LIGHTING - A description of the devices that do not contain moving parts or parts that can break, rupture, shatter, leak or contaminate the environment.

S/P RATIO— The ratio of scotopic to photopic lumens produced by a light source. An appropriate S/P ratio will provide for a more comfortable atmosphere and better perceived brightness.

SPECULAR — A highly polished or mirrored surface.

T5 — 5/8" diameter fluorescent lamps. “T” stands for tubular, while the number “5” stands for the 5 in 5/8”. Therefore a T8 lamp would be a Tubular 8/8”, or 1” diameter lamp.

T8 — 1" diameter fluorescent lamps.

T12 — 1 1/2" diameter fluorescent lamps.

THERMAL CHARACTERISTICS — The manner in which a luminaire manages heat, either dissipating heat or retaining it.

THD - Total Harmonic Distortion. A measure of the distortion of an electrical wave form. Excessive THD (defined by ANSI as greater than 32%) may cause adverse effects to the electrical system.

TROFFER — A recessed luminaire shaped like an inverted trough used to enclose and reflect fluorescent lamps.

UPLIGHTING — A source of light which is cast upwards to illuminate a ceiling cavity for aesthetic reasons. When combined with reflective ceiling materials, uplighting can function as a source of indirect lighting.

Shot Types

Shot Types

Film and television industries which assigns names and guidelines to common types of shots, framing and picture composition. The list below briefly describes the most common shot types.

Extreme Wide Shot
EWS (Extreme Wide Shot)
The view is so far from the subject that he isn't even visible. Often used as an establishing shot.
Very Wide Shot
VWS (Very Wide Shot)
The subject is visible (barely), but the emphasis is still on placing him in his environment.
Wide Shot
WS (Wide Shot)
The subject takes up the full frame, or at least as much as comfortably possible(long shotfull shot).
Mid Shot
MS (Mid Shot)
Shows some part of the subject in more detail while still giving an impression of the whole subject.


Medium Close Up
MCU (Medium Close Up)
Half way between a MS and a CU.


Close Up
CU (Close Up)
A certain feature or part of the subject takes up the whole frame.


Extreme Close Up
ECU (Extreme Close Up)
The ECU gets right in and shows extreme detail.


Cut-In
Cut-In
Shows some (other) part of the subject in detail.


Cutaway
CA (Cutaway)
A shot of something other than the subject.


Two-Shot
Two-Shot
A shot of two people, framed similarly to a mid shot.


Over-the-Shoulder Shot
(OSS) Over-the-Shoulder Shot
Looking from behind a person at the subject.


Noddy Shot
Noddy Shot
Usually refers to a shot of the interviewer listening and reacting to the subject.


Point-of-View Shot
Point-of-View Shot (POV)
Shows a view from the subject's perspective.


Weather Shot
Weather Shot
The subject is the weather. Can be used for other purposes, e.g. background for graphics.